Performers
Victoria Baroque
Playing on the instruments of the 18th century Victoria Baroque brings audiences closer to the soundworld of the period, embracing the dance-driven rhythmic vitality, as well as the lyrical aspects and conversational aspects of baroque music. The mellower tones of the baroque instruments – gut strings on string instruments, shorter bows, mellifluous wooden flutes, oboes and bassoon with fewer keys, natural horns without valves, etc. – respond in a more intimate, conversational manner than their modern equivalents.
Victoria Baroque brings together early music specialists from Vancouver Island and beyond for explorations of chamber, orchestral, vocal and choral works. Victoria Baroque enjoys ongoing collaborations with the St John’s Chamber Singers and many visiting guest artists. Victoria Baroque’s guest directors have included Pacific Opera Victoria’s Timothy Vernon; Tafelmusik’s Jeanne Lamon; the leader of the English Baroque Soloists, Kati Debretzeni; and British harpsichordist Steven Devine. Guest soloists have included internationally acclaimed singers soprano Nancy Argenta and tenor Benjamin Butterfield in vocal works by Bach, Purcell and Handel.
Nurturing emerging talent is close to Victoria Baroque’s heart. The choral collaborations with St John Chamber Singers give emerging young singers invaluable opportunities to perform with a professional period instrument orchestra, including works such as Bach’s St. John Passion and Cantatas, and choral and solo works by Handel, Vivaldi, Telemann and Buxtehude. Victoria Baroque’s educational workshops with the Greater Victoria Youth Orchestra and Baroque Instrument Summer Program at the Victoria Conservatory of Music have exposed and immersed local music students in Baroque performance in a hands-on manner.
Denis Bédard
Denis Bédard, who was born in Quebec City in 1950, first studied music at the Quebec Conservatory of Music, graduating with first class honours in organ (in the class of Claude Lavoie), harpsichord, chamber music, counterpoint and fugue. Having received grants from the Canada Council for three years running, he continued his studies in Paris with Laurence Boulay, in Montreal with Mireille and Bernard Lagacé, and in Amsterdam with Gustav Leonhardt.
Laureate of the “Prix d’Europe” in 1975, and of the CBC Radio Talent Competition in 1978, Denis Bédard leads a very active career as a recitalist. He has given concerts throughout Canada, and has recorded frequently for Radio-Canada. In July 1991 he performed at the 8th international convention of the Fédération francophone des Amis de l’Orgue. In November of that year he gave the inaugural recital on the Wilhelm organ at the First Congregational Church in Hudson, Ohio. In June 1992 he was a member of the jury of the first Quebec Organ Competition. In November 1996 he recorded a CD of his organ compositions. In 1999 he was a featured performer at the Royal Canadian College of Organists National Convention in Hamilton as well as at the Organ Historical Society Convention in Montreal. He also played at the RCCO National Convention in Toronto in July 2001, and for the Sao Bento Organ Festival in Sao Paulo, Brazil, in October 2002.
A professor at the Conservatoire de musique de Québec from 1981 until 1989, Denis Bédard was organist at St-Coeur-de-Marie church in Quebec City for 19 years and then became organist at St-Roch church, also in Quebec City, in September 1997. In 1993, with his wife Rachel Alflatt, he founded Éditions Cheldar, which publish his organ and choral compositions. Since September 2001 he has been organist and music director of Holy Rosary Cathedral in Vancouver, B.C.
Denis Bédard’s compositions include more than twenty chamber music works as well as orchestral and vocal music and many organ works, over ninety compositions in all. He has received commissions from Radio-Canada, the CBC, the Quebec Symphony Orchestra, Holy Rosary Cathedral in Vancouver and various professional musicians in Canada, Great Britain and the U.S.A. Many of his works have been performed internationally (U.S.A., France, England, Switzerland, Italy, Spain, Portugal, Holland, Belgium, Germany, Austria, Sweden, Denmark, Finland, Poland, Estonia, Czech Republic, Hungary, Greece, South Africa, New Zealand, Hong Kong, Japan, Singapore, Brazil, Ecuador), particularly at international organ and saxophone conventions; many have been published and recorded on CD. His Concerto for organ and orchestra was premiered in July 2000 at the FQAO-RCCO joint Convention in Quebec City and has been played since in Calgary, Baltimore, Toulouse and Ottawa.
Cathedral of St. John, Albuquerque Choir
The Choir of The Cathedral of St. John, Albuquerque, New Mexico is recognized as one of the finest choral ensembles of its kind in the region. In addition to Sunday morning responsibilities, the Cathedral Choir sings for services of Choral Evensong, on major feasts, participates in the annual Cathedral Commissions program, has participated in community outreach collaborative concerts with musical community organizations, and is well-known for internationally-released recordings with Raven CD. International and National tours form an important part of the Cathedral Choir’s evangelism. Under the Direction of Canon Dr. Maxine Thevenot, the choir has toured to Washington National Cathedral, St. John Divine, St. Mary the Virgin and Saint Thomas Fifth Avenue in New York City; to Great Britain leading week-long residencies at Wells, Winchester, Westminster Abbey, York Minster, St. Paul’s Cathedral as well as has accompanied the choir on tour at St. George’s Chapel, Windsor, and Canterbury Cathedral.
Choir of Jesus College Cambridge
The Choir of Jesus College Cambridge, directed by Richard Pinel, has gained an international reputation for its music-making, based on performances around the globe, broadcasts, highly praised recordings and regular services in the College’s beautiful and ancient chapel.
Regularly performing with world-renowned orchestras and soloists, they are proud of their ongoing educational projects both in the UK and in Sri Lanka and India.
Jesus College, founded out of the ancient nunnery of St Radegund in 1496, has a long and rich tradition of church music. It is distinctive in maintaining two choirs: the Chapel Choir, with its centuries of tradition, which is made up of boy choristers and adult male singers; and the College Choir, formed in 1982, which has female undergraduates for its top line. The adult male singers form the ‘back row’ for both choirs. Each choir has developed a distinctive reputation and repertoire, whilst combining for key events and large-scale projects. In addition to the weekly schedule of choral services, members of the Choirs enjoy concerts, recordings, broadcasts and foreign tours.
Edmund Connolly
A native of London, UK, now based in Albuquerque, New Mexico, USA, Edmund Connolly trained at Robinson College, Cambridge and the Guildhall School of Music & Drama. He is in demand as a baritone soloist for opera and concerts. Edmund is also half of the voice and piano/organ duo Air & Hammers with his wife, pianist and organist Maxine Thévenot.
Edmund’s professional experience includes a decade singing for UK opera companies in more than 25 principal roles and understudies, including the roles of Don Giovanni, Eugene Onegin, Count Almaviva (Le Nozze di Figaro), and Danilo (Die Lustige Witwe).
As an oratorio soloist, he has performed Bach’s St. John and St. Matthew Passions, B minor Mass and numerous cantatas; Mozart’s Requiem, Solemn Vespers and various masses; Henry Mollicone’s Beatitudes: Mass for the Homeless; Brahms’, Duruflé’s and Fauré’s Requiems; Puccini’s Messa di Gloria; Rossini’s Petite Messe Solonnelle; Beethoven’s Symphony no. 9; Mendelssohn’s Elijah; Handel’s Messiah; and Haydn’s Creation.
In recital Edmund has performed a wide variety of song repertoire, including song cycles by Schubert, Schumann, Ravel, Finzi and Vaughan Williams. As Air & Hammers, he and Maxine Thévenot continue to explore both new and established music for voice and piano/organ.
Duo Corvi
Photo credit: Ryan MacDonald
Duo Corvi is one of Canada’s most captivating early music ensembles and is recognized internationally for the creative interpretation of historical repertoire. Winners of the 2010 Musica Antigua Obra Social la ‘Caixa in Spain, the ensemble was founded by Julie Ryning (voice) and Katelyn Clark (early keyboards) at McGill University (Montréal, QC) in 2008. The group received its New York debut at Corpus Christi Church as finalists in the 2009 Early Music America Performance Competition and has been nominated twice for Classical Ensemble of the Year by the Western Canadian Music Awards (2018, 2017).
Duo Corvi specializes in the performance of secular and sacred music from thirteenth- to fifteenth-century France, Germany, and Italy. Pairing voice with organetto or clavicimbalum, they transfix audiences with a rare glimpse into the musical world of medieval performance. Each program is carefully researched and explored through text and improvisation. The ensemble has toured in Austria, The Netherlands, the USA, Canada, and Spain, and has appeared at major international festivals including Musica Antigua Barcelona, Festival Oude Muziek Utrecht Fabulous Fringe, Festival de Musica Antigua de Caceres, and the Festival Medieval d’Elx. In the 2018/19 season, the ensemble has worked with various prestigious presenters and performers including ArtSpring (Saltspring Island, BC) and The Ancient Music Society of Victoria with Benjamin Bagby of Sequentia. Duo Corvi has been heard on CBC’s North by Northwest and gratefully acknowledges past support of FACTOR and MusicBC.
Anthony Genge
Canadian composer and pianist Anthony (Tony) Genge was born in Vancouver, Canada, in 1952. He worked as a performer of jazz and rhythm and blues for a number of years before studying composition formally. Genge was a student of Morton Feldman between 1982 and 1985, completing a Ph.D. in composition at the State University of New York at Buffalo. He also studied composition with Bruce Mather at McGill University and Martin Bartlett and Rudolf Komorous at the University of Victoria. In 1979, he studied with the Japanese composer Jo Kondo in Tokyo. During this time he also visited several Pacific-Rim countries, studying their traditional music. By the 1990s, the style and influences in his music had become increasingly diverse, and since that time his music has been characterized by its distinctive harmonic language, elegant orchestration and postmodern mix of musical elements. Genge’s solo, chamber, and orchestral music, the first of which dates from the mid-1970s, has been performed and commissioned by leading soloists and ensembles throughout Canada, the United States, Europe and Japan, and his music has also been used for dance and film.
Currently, he divides his time between Antigonish, Nova Scotia on the East Coast of Canada, where he is Professor of Music at St. Francis Xavier University, and Victoria, B.C., on the Canadian West Coast. In addition to his work as a composer, Genge continues to perform and record as a jazz pianist and can be heard on his critically acclaimed jazz trio recording Blues Walk.
Christina Hutten
Organist and harpsichordist Christina Hutten has presented recitals in Canada, the United States, and Europe, including performances hosted by the Oude Kerk in Amsterdam, the Hooglandsekerk in Leiden, Early Music Vancouver. She performs regularly with Pacific Baroque Orchestra and has appeared as concerto soloist with the Okanagan Symphony, the Vancouver Academy of Music Symphony Orchestra, and the Arizona State University Chamber Orchestra. Christina is an enthusiastic teacher, who coaches and coordinates early music ensembles at UBC and has given masterclasses at institutions including Brandon University, the University of Manitoba, and the Tafelmusik Baroque Summer Institute.
Christina is a doctoral candidate in musicology at UBC. Funded by the Canada Council for the Arts, Christina pursued historical keyboard studies in Europe with Francesco Cera, François Espinasse, and Bernard Winsemius. She obtained a Master’s Degree in Organ Performance from Arizona State University under Kimberly Marshall and an Advanced Certificate in Harpsichord Performance from the University of Toronto, where she studied with Charlotte Nediger. But, she is perhaps most indebted to Marlin Nagtegaal, who first taught her to love the organ and its music, during her undergraduate studies at Wilfrid Laurier University.
Michael Jarvis
Michael has taught fortepiano at the University of British Columbia and harpsichord, continuo, and baroque vocal ornamentation at the University of Toronto. He has also taught harpsichord performance at Wilfred Laurier University in Waterloo, Ontario and at Havergal College, Toronto. He is on faculty as harpsichordist and vocal coach at the Early Music Vancouver Summer Baroque Vocal Programme, “The Compleat Singer”.
He was also co-host and star of the 13-part Bravo/Vision television series “Come into the Parlour”. Featuring co-host and star Carolyn Sinclair, soprano, and their original 1857 Chickering square grand, the series featured as guest artistes some of Canada’s finest musicians. Michael was also featured on two national Canadian television specials “A Baroque Christmas” and “A Baroque Easter” on Vision and Bravo-tv.
His CD on the Marquis Classics label of J.N. Hummel’s Sonatas for Fortepiano and Violin/Viola, Op. 5, with violinist Paul Luchkow, and performed on an original Viennese fortepiano from c.1800 was finalist in the Western Canadian Music Awards Classical Album of the Year. His and Paul’s newest CD for Marquis, features Michel Corrette’s opus 25 Sonatas for Harpsichord and Violin on mythological themes.
Jean-Willy Kunz
Jean-Willy Kunz is the first organist in residence of the Orchestre symphonique de Montréal. In addition to playing both with the Orchestra and in recital, he sees to the development and showcasing of the OSM’s Grand Orgue Pierre-Béique at Maison symphonique de Montréal.
His most recent performances include concerts with l’Orchestre symphonique de Montréal, l’Orchestre symphonique de Québec, the Toronto Symphony Orchestra, les Violons du Roy, saxophonist Branford Marsalis, as well as with the singers Pierre Lapointe, and Rufus and Martha Wainwright. His discography includes many recordings which reflect the broad range of his musical influences: solo organ; “Impressions” for organ, clarinet, saxophone, trombone, double bass and percussions; “Symphonie et créations pour orgue et orchestre” with the OSM (Juno Award 2016); “Punkt” with Pierre Lapointe; “André Gagnon Baroque” for harpsichord and symphony orchestra.
Jean-Willy Kunz is organ professor at the Conservatoire de musique de Montréal and artistic director of the Canadian International Organ Competition.
Bob McDonald
Bob McDonald has been communicating science internationally through television, radio, print and live presentations for more than 40 years. He is the host of CBC Radio’s QUIRKS & QUARKS, the award-winning science program with a national audience of nearly 500,000 people. He is also a regular reporter for CBC Television’s THE NATIONAL as well as Gemini-winning host and writer of the children’s series Heads Up! McDonald has also hosted The Greatest Canadian Invention and the seven-part series Water Under Fire.
As a print journalist, McDonald has authored four science books and contributed to numerous science textbooks, newspapers and magazines including The Globe and Mail, Owl Magazine and many others. His latest book is Canadian Spacewalkers: Hadfield, MacLean and Williams Remember The Ultimate High Adventure. He wrote the introduction to The Quirks & Quarks Question Book and the Guide to Space: 42 Questions (and Answers) About Life, the Universe, and Everything.
Beyond his work in media, McDonald sits on the board of Friends of the Dominion Astrophysical Observatory, and is in demand as a public speaker across the country.
McDonald has been honoured for his outstanding contribution to the promotion of science in Canada as the recipient of the Michael Smith Award from the Natural Sciences and Engineering Research Council, the Sir Sandford Fleming Medal from the Royal Canadian Institute and the McNeil Medal from The Royal Society of Canada. McDonald was also the recipient of a 2008 Gemini Award for Best Host in a Pre-School, Children’s or Youth Program or Series.
He has received twelve honourary Doctorates, and two honourary college degrees. In 2011 he was appointed an Officer of the Order of Canada, and in 2014, asteroid 2006 XN67 was officially named bobmcdonald in his honour.
Mark McDonald
Bio Coming Soon
Christi Meyers
Bio Coming Soon
Ed Norman
Bio Coming Soon
Shawn Potter
Shawn Potter holds a masters degree in organ performance from McGill University’s Schulich School of Music, where he studied organ with Hans-Ola Ericsson and John Grew, and harpsichord and continuo with Hank Knox. In 2010, Shawn was the recipient of the Godfrey Hewitt Scholarship and in 2013, he won the Royal Canadian College of Organists’ National Organ Competition, and the Godfrey Hewitt Prize. Past engagements have included concerts at the Tyska Kyrkan (Stockholm, Sweden), Organix 14 (Toronto), Pro Organo Ottawa, and the Montreal Bach Festival. In 2013-2014, he performed a series of eight concerts comprising the complete organ works of Dieterich Buxtehude. Shawn also performed in the 2015 RCCO Convention in Winnipeg. Originally from Nova Scotia, Shawn graduated in 2010 with a bachelor’s degree in music from Mount Allison University, where he held a Canadian Merit National Scholarship. He has held numerous grants and fellowships including a Social Sciences and Humanities Research Council (SSHRC) grant, allowing him to pursue a wide variety of interests, ranging from 17th century North German repertoire to the organ works of Olivier Messiaen. Shawn has held organ scholar positions in Montreal at both Christ Church Cathedral and the church of St. John the Evangelist, and is currently the Director of Music at First Baptist Church, Ottawa.
Daniel Roth
After teaching positions at the Conservatories of Marseille, Strasbourg and the Saarbrücken Musikhochschule, he was Professor of organ at the Musikhochschule in Frankfurt am Main from 1995 to 2007. Daniel Roth has been also Artist-in residence at the National Shrine of the Immaculate Conception and chairman of the organ department at Catholic University in Washington D.C..
He is invited to play concerts as a soloist and with famous orchestras. Furthermore he teaches masterclasses and participates on juries for organ competitions throughout the world.
On the 11th November 2005 he has played the dedication of the new Karl Schuke (Berlin) Organ of the Concet Hall “Grand Duchesse Joséphine-Charlotte” in Luxembourg for the construction of which he has been artistic advisor.
A composer as well as performer, Daniel Roth has several works for organ, for flute and organ, choir and organ. The City of Ludwigshafen (Germany) commissioned his orchestra piece. “Licht im Dunkel” first performed in this town in May 2005 and in Paris, St Etienne du Mont in April 2006 conducted by his son François-Xavier Roth. The work published by Schott has since become a triptyque with the title “Licht im Dunkel” 1rst movement L’espérance, 2nd L’Amour, 3rd La Joie. For his compositions he received the Florent Schmitt prize awarded by the Académie des Beaux-Arts (Institut de France).
Daniel Roth is also well known for his brillant improvisations which are regularly included in his concerts programs. He has many recordings to his credit covering pieces of the XVIIth century to the present time. Several of them were rewarded by the critics.
He is Chevalier de la Légion d’Honneur, Officier des Arts et Lettres, Honorary Fellow of the Royal College of Organists (London). In 2006 he received the European Prize of European sacred music from the Schwäbisch Gmünd Festival (Germany).
Esther-Ruth Teel
Bio Coming Soon
Maxine Thévenot
Canon Dr. Maxine Thevenot serves as Director of Cathedral Music & Organist at The Episcopal Cathedral of St. John, Albuquerque, New Mexico, USA. She is a member of the adjunct faculty at the University of New Mexico as Director of Las Cantantes-Women’s Choir, and instructor of organ and founding & Artistic Director of New Mexico’s first resident professional choral ensemble, Polyphony: Voices of New Mexico. Acclaimed for her ‘solid musicianship…technical security and poise’ by The American Organist (AGO) and for her ‘beautiful registration…’ by The Diapason Magazine, Maxine Thevenot has performed solo organ recitals across Canada, the U.S.A., Great Britain and Europe for her skillful, musical playing, and inventive programming. An advocate of new music, she has given numerous world, national, and regional premieres of choral and organ works by today’s prominent living composers. A featured performer and lecturer at national and regional conventions of the AGO and Royal Canadian College of Organists, winner of the 2000 Canada Bach National Organ Competition, Maxine has also broadcast for the Canadian Broadcasting Corporation, National Public Radio, and Pipedreams. Recognized for her excellence as a recording artist as both an organ soloist and choral conductor, Maxine has released over a dozen critically acclaimed commercial recordings through the RavenCD label. In her spare time she enjoys scuba diving, hiking, walking, and baking.
Follow Us
Contact Us
OFC-Victoria 2020
#6-419 Parry St.
Victoria, BC V8V 2H8
rccovictoria2020@gmail.com
250-385-5670